I have never been interested in the perfection of the fake hyper-real plausibility of the fiction and advertising images that crowd our screens. This alleged "visual accuracy" is not the only possibility available to us, for looking at the world inside an audio-visual image. If we really want to get experienced through video, we don’t have to saturate our eyes with stimuli that block emotions and reset our thinking. To emancipate our thinking, free our emotions and, above all, ignite our imagination, it is preferable to let the gaze rest in the interstices that open up in the audio-visual images, when they are left free to act in a non-ideological way. Only these interstices take us inside ourselves, precisely because they show almost nothing...
Genova Ora Zero1993 1993
Savona Ore Diciotto1993 1993
Genova Pissing1993 1993
Il pubblico del concerto1994 1994
Still Life1996 1996
Points de Vue2001 2001
Gameover2002 2002
Caccia al topo2004 2004—2001
Fashion Victims2008 2008
Fern-Fenster2010 2010
Giostra2013 2013
Cantiere2018 2018—1994